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Actor Zachary Levi began acting on-stage in community and regional theater when he was just a kid, but it was a very grown-up performance as Hank in the play Marvin's Room that booked him an agent. His first big break onscreen was a supporting role in the FX TV movie Big Shot: Confessions of a Campus Bookie. Among other TV work, he played Kipp Steadman on the sitcom Less Than Perfect. Eventually, he scored the lead role of geeky unlikely hero Chuck Bartowski on the spy comedy TV series Chuck, which began airing in 2007. ~ Cammila Albertson, All Movie Guide
An intense, versatile performer, William Fichtner emerged as a memorable character actor through his work with some of the most notable filmmakers of the 1990s and beyond. After his military brat childhood, Fichtner studied criminal justice in college before moving to New York City to shift his focus to acting. Fichtner got his first major acting job on the serial As the World Turns in 1988 and played bit parts in Spike Lee's Malcolm X (1992) and Robert Redford's Quiz Show (1994). Steven Soderbergh gave Fichtner his first substantial film role as a small town hood in the neo-noir The Underneath (1994). After supporting turns in Kathryn Bigelow's Y2K fantasy Strange Days (1995) and Michael Mann's stylish police saga Heat (1995), Fichtner earned kudos for his psychotic hit man in actor Kevin Spacey's directorial debut Albino Alligator (1997). As a gentle blind scientist in Robert Zemeckis' empyreal sci-fi adventure Contact (1997), Fichtner further revealed his considerable range; among the hip ensemble cast in Doug Liman's time-bending rave comedy Go (1999), Fichtner managed to stand out with his humorously unsettling performance as a narcotics cop with an agenda. Fichtner finally achieved leading man status as one of Demi Moore's amours in Passion of Mind (2000), but Alain Berliner's first American effort failed at the box office. Moving easily between independent films and big-budget Hollywood, Fichtner next co-starred as one of the ill-fated swordfishermen in Wolfgang Petersen's adaptation of The Perfect Storm (2000). Maintaining his prolific ways after The Perfect Storm's success, and earning a place in ´Vanity Fair's 2001 photo spread of premier supporting actors, Fichtner took on a varied trio of roles in three major 2001 releases. After playing a small part as Josh Hartnett's dad in Michael Bay's overwrought $198 million disappointment Pearl Harbor (2001), Fichtner's turn as a gay detective in the lumbering comedy What's the Worst That Could Happen? (2001) was one of the bright spots in an otherwise disposable movie. Back in his no-nonsense manhood style, Fichtner then appeared as a master sergeant involved in the troubled 1993 mission in Somalia in Ridley Scott's Oscar bait military drama Black Hawk Down (2001). After the ensemble carnage of Black Hawk Down, Fichtner moved to the small screen for a starring role as one of two maverick ER doctors in the ABC medical drama MDs (2002). A competitive time slot and poor reviews, however, hampered MDs' ratings. Though his foray into series television stumbled, Fichtner continued to rack up movie credits, appearing alongside Christian Bale and Emily Watson in the dystopian science fiction thriller Equilibrium (2002). ~ Lucia Bozzola, All Movie Guide
Given his formidable success in numerous arenas of the entertainment industry, the multi-talented Will Smith qualifies as an original "Renaissance man." Although Smith initially gained fame as the rap star Fresh Prince prior to the age of 20, (with constant MTV airplay and blockbuster record sales), he cut his chops as an A-list Hollywood actor on the small and big screens in successive years, unequivocally demonstrating his own commercial viability and sturdy appeal to a broad cross section of viewers. A Philadelphia native, Smith entered the world on September 25, 1968. The son of middle-class parents (his father owned a refrigeration company and his mother worked for the school board) and the second of four children, Smith started rapping from the age of 12, and earned the nickname "Prince" thanks to his ability to slickly talk his way out of trouble. Smith engendered this moniker as a household phrase when he officially formed the duo DJ Jazzy Jeff & the Fresh Prince, with fellow performer Jeff Townes in 1986. That team netted two Grammys (one for the seminal 1988 youth anthem "Parents Just Don't Understand" and one for the 1991 single "Summertime") and scored commercially with a series of albums up through their disbandment in 1993 that did much to dramatically broaden the age range of rap listeners (unlike artists in the gangsta rap subgenre, Smith and Townes never ventured into R- or X-rated subject matter or language). However, by the time he was 21, Smith had frittered away much of his fortune and had fallen into debt with the IRS. Help arrived in the form of Warner Bros. executive Benny Medina, who wanted to create a family-friendly sitcom based on his own experiences as a poor kid living with a rich Beverly Hills family, starring the genial Smith. The Fresh Prince of Bel-Air debuted on NBC on September 10, 1990, and became a runaway hit, lasting six seasons. The program imparted to Smith -- who had turned down an MIT scholarship to pursue his career -- even wider audience exposure as the show's protagonist, introducing him to legions of viewers who fell outside of the rap market. During Prince's lengthy run, Smith began to branch out into film work. Following roles in Where the Day Takes You (1992) and Made in America (1993), he drew substantial critical praise on the arthouse circuit, as a young gay con man feigning an identity as Sidney Poitier's son, in Six Degrees of Separation (1993), directed by Fred Schepisi and adapted by John Guare from his own play. Smith also elicited minor controversy around this time for remarks he made in an interview that some perceived as homophobic. In 1994, Smith and Martin Lawrence signed on with powerhouse producers Don Simpson and Jerry Bruckheimer to co-star in the action-comedy Bad Boys, in which the two play a hotshot pair of Miami cops; it eventually raked in over 141 million dollars worldwide. The following year, Smith topped his Bad Boys success (and then some) with a turn in the sci-fi smash Independence Day, the effects-laden tale of an alien invasion. Co-written, executive-produced, and directed by Roland Emmerich for 20th Century Fox, this picture eventually pulled in over 816 million dollars globally, making it not only the top grosser of 1996, but one of the most lucrative motion pictures in history. Smith then tackled the same thematic ground (albeit in a completely different genre), as a government-appointed alien hunter partnered up with Tommy Lee Jones in Barry Sonnenfeld's zany comedy Men in Black (1997), another smash success. Not long after this, Smith achieved success on a personal front as well, as he married actress Jada Pinkett on New Year's Eve 1998. The following autumn, Smith returned to cinemas with Enemy of the State, a conspiracy thriller with Gene Hackman that had him on the run from government agents. That film scored a commercial bull's-eye, but its triumph preceded a minor disappointment. The following summer, Smith starred opposite Kevin Kline in Wild Wild West, Sonnenfeld's lackluster follow-up to Men in Black, an overwrought and ham-handed cinematic rendering of the late-'60s TV hit. The late fall of 2000 found Smith back in cinemas, playing a mysterious golf caddy who tutors down-on-his-luck putter Matt Damon in the syrupy The Legend of Bagger Vance (2000). Smith then trained rigorously for his most demanding role up to that point: that of legendary boxer Muhammad Ali in director Michael Mann's biopic Ali (2001). The film struggled to find an audience, and critics were mixed, even if Smith's well-studied performance earned praise as well as his first Oscar nomination. While Smith executive produced the Robert De Niro/Eddie Murphy comedy Showtime (2002), he doubled it up with work in front of the camera, on the sci-fi comedy sequel Men in Black II, also helmed by Barry Sonnenfeld. As expected, the film made an unholy amount of money; he followed it up with yet another sequel, the Bruckheimer-produced Bad Boys II. It topped the box office, as expected. The next year saw Smith pull the one-two punch of I, Robot -- a futuristic, effects-laden fantasy -- and the CG-animated Shark Tale, in which he voiced Oscar, a little fish with a big attitude who scrubs whales for a living. While Smith had proven himself as an action star time and again and had received high marks for his dramatic work, it remained to be seen if he could carry a romantic comedy. All speculation ceased in early 2005 with the release of Hitch: Starring Smith as a fabled "date doctor," the film had the biggest opening weekend for a rom-com to date, leading many to wonder if there was anything Smith couldn't do. The following year, Smith starred in the period drama The Pursuit of Happyness. Set in early-'80s San Francisco, and directed by Gabriele Muccino (a director specifically summoned for the task by Smith), the film recounted the true story of Charles Gardner (Smith), a single dad struggling in an unpaid position as an intern at Dean Witter, all in an effort to be able provide for his son. The film tapped new reserves of compassion and desparation in Smith's persona, as he managed to fully embody another real-life character while maintaining all of the qualities that endeared him to audiences in the first place: His humor, his hustle and his ingenuity. Upon its release, Happyness provided Smith with perhaps his first cinematic hat trick: critical praise, a second Academy Award nomination for Best Actor, and staggering box-office success (the film would become one of his largest hits). Meanwhile, he began work as the lead in I Am Legend (2007), the third screen incarnation of sci-fi giant Richard Matheson's seminal novel of the same title (following a 1964's The Last Man on Earth, and 1971's The Omega Man). ~ Nathan Southern, All Movie Guide
Critically acclaimed actor Viggo Mortensen made his feature-film debut playing Alexander Godunov's Amish brother in Witness (1985). The suave, handsome actor has subsequently portrayed a wide variety of characters, often unapologetic bad boys, opposite some of Hollywood's most popular actors, including Sylvester Stallone, Demi Moore, and Nicole Kidman. Born in New York City, on October 20, 1958, to an American mother and a Danish father, Mortensen spent his first years in Manhattan and the rest of his youth living in Argentina, Venezuela, and Denmark. Returning to Manhattan in the early '80s, he studied acting at Warren Robertson's Theatre Workshop and then embarked upon a stage career before moving to Los Angeles. There, he earned a Dramalogue Critics Award for his performance in a Coast Playhouse production of Bent and became a familiar figure on the L.A. punk scene (something that was aided by his brief marriage to Exene Cervenka, lead singer of the punk band X). Following his debut in Witness, Mortensen began working steadily in a number of diverse films, becoming a familiar but not instantly recognizable face to filmgoers. He did some of his more memorable work as a series of louts and villains, in such films as The Indian Runner (1991, written and directed by Sean Penn), which cast him as David Morse's morally questionable brother; Carlito's Way (1993), in which he played a paraplegic ex-con who tries to snitch on Al Pacino; and The Prophecy (aka God's Army) (1995), which required the actor, in the role of Lucifer, to rip out Christopher Walken's heart and then eat it. Mortensen finally attained a greater measure of recognition with his smoldering portrayal of one of Isabel Archer's (Nicole Kidman) suitors in Jane Campion's 1996 adaptation of The Portrait of a Lady. He then made another strong impression as Demi Moore's rough, tough, and buff training instructor in G.I. Jane (1997) and, the following year, he was one of the few redeeming features of A Perfect Murder, in which he supplied sexy menace (as well as his own art work) as Gwyneth Paltrow's murderous artist lover. He allowed his softer side to come through in Tony Goldwyn's acclaimed A Walk on the Moon (1999), which cast him as the hippie lover of a dissatisfied housewife (Diane Lane) in Woodstock-era upstate New York. His more romantic side was again in evidence in the romantic drama 28 Days (2000), in which he played recovering party girl Sandra Bullock's rehab honey. Replacing Irish actor Stuart Townsend in the role of Aragorn shortly after production had begun on director Peter Jackson's eagerly anticipated film adaptation of J.R.R. Tolkien's Lord of the Rings, Mortensen secured a strong screen presence through 2003, with the release of the trilogy's final installment, The Return of the King. In 2004, he proved that he could carry a film on his own when he starred as Wild West adventurer Frank T. Hopkins in the horse-racing period film Hidalgo. In 2005, the actor won critical raves when he headlined the visceral David Cronenberg crime thriller A History of Violence, vis-a-vis Ed Harris and William Hurt; as Tom Stall, a seemingly open-faced small-town Hoosier whose dark and brutal past comes to light during a diner robbery, Mortensen lent the film a great deal of momentum and held audiences rapt. History received two Academy Award nominations, though Mortensen failed to net one for Best Actor. Mortensen returned to period adventures in 2006 when he played the titular solider-turned-mercenary in Agustín Díaz Yanes' Spanish-language film Alatriste, set during Spain's 16th century imperial wars. In 2007 MOrtensen teamed up for a second time with David Cornenberg, playing a Russian mob enforcer in Eastern Promises. His impressive work in the film garnered hiim strong reviews as well as an Oscar nomination for Best Actor. ~ Sandra Brennan, All Movie Guide
An actor whose name has become synonymous with all-American testosterone-driven entertainment, Tom Cruise spent the 1980s as one of Hollywood's brightest-shining golden boys. With black hair, blue eyes, and unabashed cockiness, Cruise rode high on such hits as Top Gun and Rain Man. Although his popularity dimmed slightly in the early '90s, he was able to bounce back with a string of hits that re-established him as both an action hero and, in the case of Jerry Maguire and Magnolia, a talented actor. Born Thomas Cruise Mapother IV on July 3, 1962, in Syracuse, NY, Cruise led a peripatetic existence as a child, moving from town to town with his rootless family. A high-school wrestler, Cruise went into acting after being sidelined by a knee injury. This new activity served a dual purpose: performing satiated Cruise's need for attention, while the memorization aspect of acting helped him come to grips with his dyslexia. Moving to New York in 1980, Cruise held down odd jobs until getting his first movie break in Endless Love (1981). His first big hit was Risky Business (1982), in which he entered movie-trivia infamy with the scene wherein he celebrates his parents' absence by dancing around the living room in his underwear. The Hollywood press corps began touting Cruise as one of the "Brat Pack," a group of twentysomething actors who seemed on the verge of taking over the movie industry in the early '80s. But Cruise chose not to play the sort of teen-angst roles that the other Brat Packers specialized in -- a wise decision, in that he has sustained his stardom while many of his contemporaries have fallen by the wayside or retreated into direct-to-video cheapies. Top Gun (1985) established Cruise as an action star, but again he refused to be pigeonholed, and followed up Top Gun with a solid characterization of a fledgling pool shark in The Color of Money (1986), the film that earned co-star Paul Newman an Academy Award. In 1988, Cruise took on one of his most challenging assignments, as the brother of an autistic savant played by Dustin Hoffman in Rain Man. "Old" Hollywood chose to give all the credit for that film's success to Hoffman, but a closer look at Rain Man reveals that Cruise is the true central character in the film, the one who "grows" in humanity and maturity while Hoffman's character, though brilliantly portrayed, remains the same. In 1989, Cruise was finally given an opportunity to carry a major dramatic film without an older established star in tow. As paraplegic Vietnam vet Ron Kovic in Born on the Fourth of July (1989), Cruise delivered perhaps his most outstanding performance. Cruise's bankability faltered a bit with the expensive disappointment Far and Away in 1990 (though it did give him a chance to co-star with his-then wife Nicole Kidman), but with A Few Good Men (1992), Cruise was back in form. In 1994, Cruise appeared as the vampire Lestat in the long-delayed film adaptation of the Anne Rice novel Interview with the Vampire. Although she was vehemently opposed to Cruise's casting, Rice reversed her decision upon seeing the actor's performance. In 1996, Cruise scored financial success with the big-budget actioner Mission: Impossible, but it was with his multilayered, Oscar-nominated performance in Jerry Maguire (also 1996) that Cruise proved once again why he is considered a major Hollywood player. 1999 saw Cruise reunited onscreen with Kidman in a project of a very different sort, Stanley Kubrick's Eyes Wide Shut. The film, which was the director's last, had been the subject of controversy, rumor, and speculation since it began filming. It opened to curious critics and audiences alike across the nation, and was met with a violently mixed response. However, it allowed Cruise to once again take part in film history, further solidifying his position as one of Hollywood's most well-placed movers and shakers. Cruise's enviable position was again solidified later in 1999, when he earned a Best Supporting Actor nomination for his role as a loathsome "sexual prowess" guru in Paul Thomas Anderson's Magnolia. In 2000, he scored again when he reprised his role as international agent Ethan Hunt in John Woo's Mission: Impossible II, which proved to be one of the summer's first big moneymakers. His status as a full-blown star of impressive dramatic range now cemented in the eyes of both longtime fans and detractors, the popular actor next set his sights on reteaming with Jerry Maguire director Cameron Crowe for a remake of Spanish director Alejandro Amenábar's (The Others) Abre los Ojos titled Vanilla Sky. Though Vanilla Sky's sometimes surreal trappings found the film recieving a mixed reception at the box office, the same could not be said for the following year's massively successful sci-fi chase film Minority Report. Based on a short story by science fiction writer Philip K. Dick and directed by none other than Steven Spielberg, Minority Report scored a direct hit at the box office, and Cruise could next be seen gearing up for his role in Edward Zwick's The Last Samurai alongside Ken Watanabe, who was nominated for an Oscar for his performance. For his next film, Cruise picked a role unlike any he'd ever played; starring as a sociopathic hitman in the Michael Mann psychological thriller Collateral. He received major praise for his departure from the good-guy characters he'd built his career on, and for doing so convincingly. By 2005, he teamed up with Steven Spielberg again for the second time in three years with an epic adaptation of the H.G. Wells alien invasion story War of the Worlds. The summer blockbuster was regarded as a good popcorn film, but was in some ways overshadowed by the negative publicity that Cruise had been gathering. It began in 2005, when Cruise became suddenly vocal about his beliefs in the principles of Scientology, the religion created by science fiction author L. Ron Hubbard. Cruise publicly denounced actress Brooke Shields for taking medication in order to combat her postpartum depression, citing antidepressants and the psychological sciences as immoral and unnecessary, going so far as to call it a "Nazi science" in an Entertainment Weekly interview. On June 24, 2005, he was interviewed by Matt Lauer for The Today Show during which time he appeared to be distractingly excitable and argumentative in his insistence that psychiatry is a "pseudoscience," and in a Der Spiegel interview, he was quoted as saying that Scientology has the only successful drug rehabilitation program in the world. This behavior caused a stirring of public opinion about Cruise, as did his relationship with 27-year-old actress Katie Holmes. The two announced their engagement in the spring of 2005, and Cruise's enthusiasm for his new romantic interest created more curiosity about his mental stability. He appeared on The Oprah Winfrey Show on May 23, where he jumped up and down on the couch during his interview, professing his love for Holmes. He also ecstatically shook Winfrey's hands and at one point fell dramatically to one knee. The actor's newly outspoken attitude about Scientology linked intimately to the buzz surrounding his new relationship, as Holmes converted to the faith despite a lifelong adherence to Catholicism. The media was flooded with a rumor that the young actress had a "lost" period around this time, when for two weeks she was unreachable to her parents, friends, and extended family. Many suspected that Cruise's strange public behavior was nothing more than a failed publicity stunt to raise interest in War of the Worlds, a general attitude that continued through October 2005, when he and Holmes announced that she was pregnant. Some audiences found Cruise's ultra-enthusiastic behavior refreshing, but for the most part, the actor's new public image hurt his fan base, as he alienated many of his viewers. As he geared up for the spring 2006 release of Mission: Impossible III, his ability to sell a film based almost purely on his own likability was in question for the first time in 20 years. Despite a cast that boasted such names as Philip Seymour Hoffman and Jonathan Rhys-Meyers, curiosity about the film's success seemed to hinge solely on Cruise's controversial personal life. The movie ended up performing essentially as expected, despite lining up almost conspicuously with the birth of he and Holmes' daughter Suri in spring of 2006. The media frenzy that followed the pregnancy and birth were no less involved. There were whispers of dangerous or inadvisable methods of childcare and feeding, rumors that the Scientology endorsed method for birthing demands complete silence from everyone -- including the mother -- and questions about what kind of access to medical care and pain medicine Holmes would have in accordance with the practices of Scientology. Holmes said little publicly of her new relationship, religion, or role as a mother, but Cruise insisted in interviews that the process of the "silent birth" demands others in the room be quiet, but not the mother. Even after the child was born, controversy surrounded the name that the couple chose for her, as Cruise's public statement claimed the name Suri was chosen because it means "princess" in Hebrew and "red rose" in Persian, while experts on both languages insisted that this was not accurate. Scholars and speakers of the languages in question said that in Persian (conventionally known as Farsi) the word denotes the color red but has no connection whatsoever to roses, while in Hebrew, the closest connection it bears to its claimed origin is that the Jews of Eastern Europe use it as a nickname for the name Sarah, and that in ancient Hebrew Sarah is the feminine form of the word Lord. After the birth, the couple finally set their wedding date and held the event in July of that year. Cruise next made headlines on a business front, when -- in November 2006 -- he and corporate partner Paula Wagner (the twin forces behind the lucrative Cruise-Wagner Productions, est. 1993) officially "took over" the defunct United Artists studio. Originally founded by such giants as Douglas Fairbanks and Charles Chaplin in 1921, UA was run into extinction after the Heaven's Gate fiasco in the early '80s and its purchase by Transamerica's Kirk Kerkorian. The press announced that Cruise and Wagner would "revive" the studio, with Wagner serving as Chief Executive Officer and Cruise starring in and producing projects. MGM (UA's parent company) handed the team the rights to almost single-handedly develop United's production slate, and gave them an allotment of four films per year, a number expected to dramatically increase. Harry Sloan, the chairman of MGM, remarked in a press release, "Partnering with Tom Cruise and Paula Wagner, we have the ideal creative foundation from which to reintroduce the United Artists brand. United Artists is once again the haven for independent filmmakers and a vital resource in developing quality filmed entertainment consistent with MGM's modern studio model." One of the fist films to be produced by the new United Artists was the tense political thriller Lions for Lambs, which took an earnest and unflinching look at the politics behind the Iraq war. Cruise both starred in and produced the film, and though it performed unevenly with critics and at the box office, he soon green-lit another UA production, Valkyrie. Both producing and starring again, Cruise would play Col. Claus von Stauffenberg, a Nazi officer who infamously attempted to assassinate Adolf Hitler during the Third Reich in Germany. ~ Hal Erickson, All Movie Guide
American leading actor Tom Hanks has become one of the most popular stars in contemporary American cinema. Born July 9, 1956, in Concord, CA, Hanks spent much of his childhood moving about with his father, an itinerant cook, and continually attempting to cope with constantly changing schools, religions, and stepmothers. After settling in Oakland, CA, he began performing in high-school plays. He continued acting while attending Cal State, Sacramento, and left to pursue his vocation full-time. In 1978, Hanks went to find work in New York; while there he married actress/producer Samantha Lewes, whom he later divorced. Hanks debuted onscreen in the low-budget slasher movie He Knows You're Alone (1979). Shortly afterward he moved to Los Angeles and landed a co-starring role in the TV sitcom Bosom Buddies; he also worked occasionally in other TV series such as Taxi and Family Ties, as well as in the TV movie Mazes and Monsters. Hanks finally became prominent when he starred opposite Daryl Hannah in the Disney comedy Splash!, which became the sleeper hit of 1984. Audiences were drawn to the lanky, curly headed actor's amiable, laid-back style and keen sense of comic timing. He went on to appear in a string of mostly unsuccessful comedies before starring in Big (1988), in which he gave a delightful performance as a child in a grown man's body. His 1990 film Bonfire of the Vanities was one of the biggest bombs of the year, but audiences seemed to forgive his lapse. In 1992, Hanks' star again rose when he played the outwardly disgusting, inwardly warm-hearted coach in Penny Marshall's A League of Their Own. This led to a starring role in the smash hit romantic comedy Sleepless in Seattle (1993). Although a fine comedic actor, Hanks earned critical respect and an even wider audience when he played a tormented AIDS-afflicted homosexual lawyer in the drama Philadelphia (1993) and won that year's Oscar for Best Actor. In 1994 he won again for his convincing portrait of the slow-witted but phenomenally lucky Forrest Gump, and his success continued with the smash space epic Apollo 13 (1995). In 1996, Hanks tried his hand at screenwriting, directing, and starring in a feature: That Thing You Do!, an upbeat tale of a one-hit wonder group and their manager. The film was not particularly successful, unlike Hanks' next directing endeavor, the TV miniseries From Earth to the Moon. The series was nominated for and won a slew of awards, including a series of Emmys. The success of this project was outdone by Hanks' next, Steven Spielberg's Saving Private Ryan (1998). Ryan won vast critical acclaim and was nominated for 11 Oscars, including a Best Actor nomination for Hanks. The film won five, including a Best Director Oscar for Spielberg, but lost Best Picture to Shakespeare in Love, a slight that was to become the subject of controversy. No controversy surrounded Hanks' following film, Nora Ephron's You've Got Mail (1998), a romantic comedy that paired Hanks with his Sleepless co-star Meg Ryan. Although the film got mixed reviews, it was popular with filmgoers, and thus provided Hanks with another success to add to his resumé. Even more success came soon after when Hanks took home the 2000 Golden Globes' Best Actor in a drama award for his portrayal of a shipwrecked FedEx systems engineer who learns the virtues of wasted time in Robert Zemeckis' Cast Away. Though absent from the silver screen in 2001, Hanks remained in the public eye with a role in the acclaimed HBO mini-series Band of Brothers as well as appearing in September 11 television special America: A Tribute to Heroes and the documentary Rescued From the Closet. Next teaming with American Beauty director Sam Mendes for the adaptation of Max Allan Collins graphic novel The Road to Perdition (subsequently inspired by the Japanese manga Lone Wolf and Cub, the nice-guy star took a rare anti-hero role as a hitman (albiet an honorable and fairly respectable hitman) on the lam with his son (Tyler Hoechlin) after his son witnesses a murder. That same year, Hanks collaborated with director Spielberg again, starring opposite Leonardo Dicaprio in the hit crime-comedy Catch Me if You Can. For the next two years, Hanks was essentially absent from movie screens, but in 2004 he emerged with three new projects: The Coen Brothers' The Lady Killers, yet another Spielberg helmed film, The Terminal, and The Polar Express, a family picture from Forrest Gump and Castaway director Robert Zemeckis. 2006 was a very active year for Hanks starting with an appearance at the Oscar telecast that talented lip-readers will remember for quite some time. In addition to helping produce the HBO Series Big Love, he scored a major international success by reteaming with director Ron Howard for the big-screen adaptation of an Brown's novel The Da Vinci Code. His Playtone production company also had a hand in the animated feature The Ant Bully. That same year he filmed The Great Buck Howard co-starring his son Colin Hanks, and signed on to co-star with Julia Roberts in Mike Nichols' Charlie Wilson's War. Ranked by Empire Magazine as 17th out of "The Top 100 Movie Stars of All Time" in October 1997, Hanks is married to actress Rita Wilson, with whom he appeared in Volunteers (1985). The couple have two children in addition to Hanks' other two from his previous marriage. ~ Sandra Brennan, All Movie Guide