Salma Hayek - Biography

Widely considered to be the first Mexican actress to become a Hollywood movie star since Dolores Del Rio, Salma Hayek is known for bringing a fiery presence and striking, dark-eyed beauty to the screen. A soap star in her native Mexico, Hayek risked her entire career to come to L.A., where she struggled to be taken seriously. Her discovery by director Robert Rodriguez, who cast her in his 1995 film Desperado, gave Hayek her breakthrough, and she subsequently gained a reputation as one of Hollywood's sexiest and busiest actresses. The daughter of a Spanish mother and Lebanese father, Hayek was born in Coatzacoalcos, Veracruz, Mexico, on September 2, 1966. Raised in a devoutly Catholic family, she was sent to a Louisiana boarding school at the age of 12. After getting into trouble for terrorizing the nuns, Hayek returned to Mexico, but she was eventually sent to Houston, Texas, to live with her aunt, where she stayed until she was 17. She subsequently moved to Mexico City, where she studied International Relations as a university student, but, to the chagrin of her family, decided to drop out in order to pursue a career as an actress. Starting out in local theatre productions, she eventually moved to television and landed a starring role in the popular soap opera Teresa. The show's success made Hayek a celebrity in her native country, but, desiring something more, she shocked her fans by deciding to quit the show in order to pursue a career in L.A. After taking a year to learn English and study acting with Stella Adler, Hayek got her first break when Allison Anders cast her in a supporting role in Mi Vida Loca (1993). The role allowed Hayek to obtain a Screen Actors Guild card, and after doing so, she continued to audition until she appeared on a Spanish-language cable access talk show that happened to count director Robert Rodriguez amongst its viewers. Rodriguez tracked Hayek down and promptly cast her in Desperado, his bigger-budget 1995 sequel to El Mariachi. The film, which also starred Antonio Banderas, succeeded in giving the actress her own plot on the Hollywood map, and Rodriguez again demonstrated his faith in her when he cast her in his next project, the vampire extravaganza From Dusk Till Dawn (1996). Unfortunately for Hayek, the film, which also starred George Clooney, failed to do as well as expected, and Hayek's next few projects were similarly lackluster. The Faculty (1998), a teen thriller that cast Hayek as a teacher who turns into an alien, was an exception, and Kevin Smith's Dogma (1999), which featured her as a celestial muse, was fairly successful with critics and audiences. Also in 1999, Hayek had a starring role in what was to be her biggest film to date, Barry Sonnenfeld's Wild Wild West, which also starred Will Smith and Kevin Kline. Unfortunately for all involved, the film was a turkey. In 2000, Hayek could be seen in smaller, edgier ventures, including the independent comedy Chain of Fools, in which she played a centerfold-turned- cop, and Mike Figgis' experimental Time Code, which cast her as Jeanne Tripplehorn's lover. If these films ultimately didn't provide Hayek with a role that would draw attention to her genuine talent, this would soon change with the long awaited biography of tragic artist Frida Kahlo. With her role as the epnoymous character in Frida (2002), Hayek disappeared into her subject so convincingly that not only would she return to the good graces of critics, but earn an Oscar nomination as well. ~ Rebecca Flint Marx, All Movie Guide

Antonio Banderas - Biography

Internationally known for his charisma and smoldering good looks, Antonio Banderas is the ultimate manifestation of the Latin heartthrob. Born in Málaga, Spain on August 10, 1960, Banderas wanted to become a professional soccer player until a broken foot sidelined his dreams at the age of fourteen. He went on to enroll in some drama classes, eventually joining a theatre troupe that toured all over Spain. His work in the theatre, and his performances on the streets, eventually landed him a spot with the National Theatre of Spain. While performing with the theatre, Banderas caught the attention of director Pedro Almodóvar, who cast the young actor in his film debut, Laberinto de Pasione (Labyrinth of Passion) (1982). He went on to appear in the director's La Ley del Deseo (Law of Desire) (1984), making headlines with his performance as a gay man, which required him to engage in his first male-to-male onscreen kiss. After Banderas appeared in Almodóvar's Matador (1986), the director cast him in his internationally acclaimed Mujeres al Borde de un Ataque de Nervios (Women on the Verge of a Nervous Breakdown) (1988). The recognition Banderas gained for his role increased two years later when he starred in Almodóvar's controversial Atame! (Tie Me Up! Tie Me Down!) as a mental patient who kidnaps a porn star (Victoria Abril) and keeps her tied up until she returns his love. Banderas made his first stateside appearance as an unwitting object of Madonna's affections in Truth or Dare (1991). The following year, still speaking next to no English, he starred in his first American film, The Mambo Kings. It was a testament to his acting abilities that, despite having to learn all of his lines phonetically, Banderas still managed to turn in a critically praised performance as a struggling musician. He broke through to mainstream American audiences as the gay lover of AIDS-afflicted lawyer Andrew Beckett (Tom Hanks) in Philadelphia (1993). The film's success earned Banderas wide recognition, and the following year he was given a substantial role in Neil Jordan's high-profile adaptation of Anne Rice's Interview with the Vampire, which allowed him to share the screen with the likes of Tom Cruise and Brad Pitt. Banderas subsequently appeared in a number of films of widely varying quality, doing particularly strong work in Desperado (1995), Evita (1998), and The Mask of Zorro (1998). In 1999, he made his first foray into directing with Crazy in Alabama, a black comedy starring Melanie Griffith, to whom he had been married since 1996. The following year he starred as an aspiring boxer opposite Woody Harrelson in Play It to the Bone, portrayed a Cuban tycoon with a bad seed bride (Angelina Jolie) in Original Sin, and starred alongside Bob Hoskins and Wes Bentley in The White River Kid. Well established as a hearthrob and a talented dramatic actor by the end of the 1990s, the fact that Desperato director Robert Rodriguez was the only director to have expolored Banderas' comic potential (Banderas provided one of the few memorable performances in Rodriguez's segment of the otherwise abysmal Four Rooms (1995)) hinted at a heretofore unexplored but potentially lucrative territory for the actor. Later approached by Rodriguez to portray the super-spy patriarch in the family oriented adventure comedy Spy Kids (2001), Banderas charmed children and adults alike with his role as a kidnapped agent whose children must discover their inner stregnth in order to rescue their mother and father. After reprising his role in the following year's Spy Kids 2: Island of Lost Dreams, Banderas would next return to more adult oriented roles in both Brian DePalma's Femme Fatale and the ill-fated Ballistic: Ecks vs. Sever (both 2002). After essaying a more historic role in the dramatic biopic Frida (also 2002), the remarkably diverse actor would one again team with Rodriguez for the sprawling Once Upon a Time in Mexico (2003). ~ Rebecca Flint Marx, All Movie Guide